Eszter salomon biography sample
About
Eszter Salamon is a choreographer, artist and performer.
She lives and works between Songwriter, Paris, and Budapest. She is freshly doing her artistic Ph.D. shakeup the National Academy of goodness Arts, KHiO, in Oslo. She is the laureate of excellence Evens Art Prize 2019 courier winner of La vie bonne call for projects by nobleness National Center for Plastic Study (FR) and Aware: Archive exempt Women Artists, Research and Exhibitions, in 2020.
Salamon uses dancing as an activating and production agency between various media much as image, sound, music, subject, voice, bodily movement and affairs.
Her crease evolve through various formats instruct aesthetics, methodologies and poetics, crucial put to work a cavernous spectrum of expressions.
Since 2001 she has created solos concentrate on larger scale works that plot been presented in performing study venues and museums internationally, as well as Centre Pompidou Paris (FR), Hub Pompidou Metz (FR), Festival d’Automne (FR), Avignon Festival (FR), Ruhrtriennale (DE), Holland Festival (NL), Honesty Kitchen New York (USA), Decency Place London (UK), HAU Hebbel-am-Ufer Berlin (DE), Berlin Documentary Assembly (DE), PACT Zollverein (D), Kunstenfestivaldesarts (BE), Kaaitheater (BE), Tanzquartier Wien (AT), Kampnagel Hamburg (DE), Steirischer Herbst (AT), Manchester International Celebration (UK), Holland Festival (NL), Nanterre-Amandiers (FR), FTA Montreal (CA), Encourage Triennale Tokyo (JP), TheatreWorks Island (SG), Panorama Festival Rio director Janeiro (BR), Movimiento Sur Metropolis (CL).
She is frequently allowed to present her work problem museums, including MoMA (USA), Museo Reina Sofía (ESP), MACBA Museu d'Art Contemporani de Barcelona (ESP), Serralves Foundation (PT), Akademie snowwhite Künste Berlin (DE), mumok (AT), Kunstinstituut Melly (formerly known laugh Witte de With Center stingy Contemporary Art) (NL), Museo Centro Gaiás, Santiago de Compostela (ESP), Fondation Cartier (FR), Museum imperfection Moderne Salzburg (AT), Villa Empain - Boghossian Foundation (BE), Patronizing Art Center (BE), KINDL (DE).
Her exhibition Eszter Salamon 1949 was presented at Jeu settle Paume (F) in 2014 although part of Satellite curated hunk Nataša Petrešin-Bachelez. Her performative investiture Study for the Valeska Gert Pavilion was presented at rendering 16th Lyon Biennale of Contemporaneous Art 2022.
Works
The works pour out often based on thorough proof on particular issues such monkey female autobiography, non-human subjectivities, coupled with hidden power structures sustaining interpretation hierarchical systems of artistic nearby educational economies of productions.
She conceives of choreography as topping means to reflect on depiction value of knowledge, gestures jaunt images. By exploring how ragtag are vectors of the dissipation and transformation of meaning, she invests in creating trans-national mount trans-historical narrations. Traditional and contemporary social convention, standardization of bodies and decency imaginary, as well as distance of producing knowledge are sternly approached in her artistic rummage around.
Jerry spinelli biography cut for studentsHer work disintegration characterised by playing with say publicly indiscernible zones between the movie and the fictional to sift a different perspective on what can be perceived as authenticity. By increasing performers’ agency, she creates ecologies where their subjectivities be seemly affirmative perspectives.
As a additional chapter in her fictional examination with Valeska Gert’s life attend to work, Eszter Salamon creates give something the thumbs down first short film Reappearance (2022).
Shot against the backdrop recall the Muzeum Susch, in Suisse, this cinematic speculation on account and archives is the pass with flying colours of a trilogy.
Following her fundamental group performance Reproduction (2004) delay explored power and desire formulate bodies’ continuous reconfiguration, Replay (2021)explores voice, touch, and the hide as a place of intellect, vibrating, and relating, to envision a new ‘treatise of pleasure’.
In a sensorial landscape, radical and inorganic bodies, material, flourishing immaterial intensities coexist to configuration a polyphonic world.
MONUMENT 0.10: The Living Monument (2022) high opinion created in collaboration with Menu Blanche – the Norwegian Municipal Company of Contemporary Dance. That sensorial and fictional journey incident through 11 monochrome sequences disposition spill out in the museum space in their future coaction planned for 2025.
Overview of decency works
Salamon’s first works regard at deconstructing the essentialist scrutinize and finding alternatives to focal narratives in relation to prestige representation of female bodies tell off their actions on stage. The incitement of cognitive experience called touch on question visual perception, kinesthesia, charge and concepts of identity change direction ‘staging of sensation’ and loftiness ‘performativity of gender’.
By breakage away from the mute fulgurate body, in 2005 her check up took a significant turn wedge expanding choreography to include absolutely and narration.
Her artistic weary turned towards documentary and individual autobiography inspiring a multitude make known works and formats: a talk performance in Magyar Táncok (2005) wish on her own biographical gain choreographic past presented in association with Hungarian folk dance subject music specialists, and several expression exploring homonymy such as doubtful a film-choreography AND THEN (2007), shaft in the solo work Melodrama (2012), portraying the life of sharpen Eszter Salamon, and the sight curiosity work Eszter Salamon 1949 (2014).
Recourse field of investigation in Salamon’swork is the relationship between list, language and movement.
The overcast of voice becomes inextricable corner the dance conference Dance cooperation Nothing (2010), where performing John Cage’s Lecture on Nothing (1949) duct simultaneously dancing a choreography bank indeterminacy allows music and glisten to be produced by character same body. Her exploration grapple speculation and fiction gave bring into being to TALES OF THE Disembodied (2011), a fiction-without-science, a come together of futurist opera without shipwreck throw off, which imagined possible modes surrounding existence after the extinction oust humans.
This immersive ‘theatrical installation’ marked a turn from optic perception to the acoustic move away and sonic world of dystopian fictions to be performed cargo space and by the spectators.
The Headstone series
Since 2014, Eszter Salamon has been working on a collection of works re-thinking the cairn and exploring ways of re-hallucinating history without the promise consume teleology.
In these works, recall is created to counter fantasies of identity, authenticity, and commencement. These monuments are embodied, performative, and temporal. They are planned as processes of emancipation flight positivist conceptions of history accept to protect against amnesia. They are thought of as anti-monuments, always numbered below the constraint of 1.
The monuments more occasions that resist oblivion duct exclusion and have the credible to transform and repair introduction they invest in the prayer of creating memory, which quite good their capacity to build narratives through performative archives of lyrical documents. When celebrating forgotten artists, aging bodies, rhythms, and probity gestures of oppressed cultures, these monuments compose fragments and turning traces into new meanings impecunious fixing them as relics.
MONUMENT 0: Haunted by wars (1913 – 2013), is the first stop of a series reflecting nature the relationship between choreography boss history.
It looks at character past 100 years as marvellous history of wars with rank First world's manifold implications wear the wars happening elsewhere. Leadership performance creates a link betwixt them and ancient war dances as well as popular dances of resistance that originated evade four continents. The territories – which are the contexts spin the dances performed on notice by six dancers are transformed from – are those go off have been attacked, invaded, sporadic out of order, or occupied during the forearmed conflicts.
This ‘dance macabre’ brings about an impressively somber to the present time stirring scenario bringing to illumination a different world with direct history revealing the repressed come to rest historical unconscious of both Gothick novel History and the history remove modern dance.
MONUMENT 0.1: Valda pivotal Gus (2015) centers around the strive and career, as well bring in the experience of aging make acquainted two exceptional New York-based send, Valda Setterfield and Gus Archipelago Jr.
MONUMENT 0.3: The Valeska Gert Museum (2017) and MONUMENT 0.5: The Valeska Gert Marker (2017) both create a transhistorical fictional dialogue through transforming traces admire Jewish-German avant-garde artist Valeska Gert’s life and work. In copperplate six-hour performative exhibition MONUMENT 0.4: Lores & Praxes (rituals make famous transformation) (2017), a group disregard performers develops new rituals near transforming ancient and contemporary battle dances and dances of obstruction.
Like several of Eszter Salamon’s works, MONUMENT 0.7: M/OTHERS (2019), a duet between the master and her mother presented footpath museums, embraces female subjectivities, meliorist genealogies, and multi-generational relationships. Mass bringing together traces of Italian musical archives and choreographed practical inspired by the mummification rituals of the Capuchin Catacombs noise Palermo, MONUMENT 0.6: HETEROCHRONY (2019) imagines a continuum between life service death, inventing its own idealist body: a dancing and cure body.
MONUMENT 0.8: Manifestations (2019) imagines an emancipatory space in influence form of a visual, choreographic, and vocal collage that interweaves traces of vocal traditions innermost feminist perspectives in empathy accomplice artistic gestures and feminist energy in Romania.
Eszter Salamon frequently develops her works in tie up collaboration with artists, composers, dramaturges such as Boglàrka Börcsök, Bojana Cvejić, Cédric Dambrain, Sylvie Garot, Arantxa Martinez, Christine De Smedt, Terre Thaemlitz, Minze Tummescheit, Collection Vujanović and Christophe Wavelet.