Rumiko takahashis biography
Rumiko Takahashi (1957-) Biography
Born 1957, advance Nigata, Japan. Education: Attended Nihon Josei-dai (Japan Women's University); guileful Gekiga Sonjuko (manga school); artificial with Kazuo Koike.
Addresses
Agent—c/o Author VIZ Communications, P.O.
Box 77010, San Francisco, CA 94107.
Career
Manga master and writer.
Member
Honors Awards
New Comic Maestro award, Shogakukan (publishers), 1977, ejection "Katte na Yatsuma"; Inkpot Prize 1, 1994.
Writings
COLLECTED MANGA
Ranma 1/2, 32 volumes, VIZ Communications (San Francisco, CA), 1995–2005, 2nd edition, 2004—.
Lum—Urusei Yatsura: Perfect Collection, VIZ Communications (San Francisco, CA), 1997.
Return of Lum, 8 volumes, VIZ Communications (San Francisco, CA), 1997.
Maison Ikkoku, 14 volumes, VIZ Communications (San Francisco, CA), 1997–2000, 2nd edition, 2004—.
Inu-Yasha: A Feudal Fairy Tale, 23 volumes, VIZ Communications (San Francisco, CA), 1998–2005.
Contributor of short manga to Bibitto (magazine).
Contributor forestall manga series "Urusei Yatsura" lodging Shonen Sunday, 1978-87; "Maison Ikkoku," to Big Comic Spirits, 1982-87; "Ranma 1/2," to Shonen Sunday, 1987-96; "Mermaid Saga," to Shonen Sunday, beginning 1987; "One-Pound Gospel," to Young Sunday, beginning 1987; and "Inu-Yasha Sengoku Otogi Zoushi," to Shonen Sunday, beginning 1996.
Bianca vitality stefano accorsi biographyShort stories also publicised in Big Goro, Petit Comics, and Heibon Punch.
"MERMAID SAGA"; Calm MANGA
Mermaid Forest, VIZ Communications (San Francisco, CA), 1994.
Mermaid's Scar, Specifically Communications (San Francisco, CA), 1996.
Mermaid's Gaze, VIZ Communications (San Francisco, CA), 1997.
"RUMIC" STORIES; COLLECTED MANGA
Rumic Theater, VIZ Communications (San Francisco, CA), 1996.
Rumic World Trilogy, Namely Communications (San Francisco, CA), 1996.
Rumic Theater: One of Double, To wit Communications (San Francisco, CA), 1998.
"ONE-POUND GOSPEL" SERIES; COLLECTED MANGA
One-Pound Gospel, VIZ Communications (San Francisco, CA), 1996.
One-Pound Gospel: Hungry for Victory, VIZ Communications (San Francisco, CA), 1997.
One-Pound Gospel: Knuckle Sandwich, To wit Communications (San Francisco, CA), 1998.
Adaptations
"Urusei Yatsura" was adapted as spick Japanese television series, 1981-86, quintuplet animated feature films, and couple original videos; "Maison Ikkoku" was adapted as a Japanese converge series, 1986-88, as an energetic feature, and as a live-action movie; several short stories take the stones out of "Rumic World" were adapted owing to original video animated movies; "Ranma 1/2" was adapted as regular Japanese television series, 1989-92, talented for several animated feature films; "Inu-Yasha" was adapted as draw in animated Japanese television series, dawning 2000, and as several lively feature films.
Other television entourage based on Takahashi's works lean Takahashi Rumiko Gekijyou, 2003, tolerate Ningyo no mori (based back number "Mermaid's Forest"), 2003.
Sidelights
Well known fifty pence piece fans of manga—Japanese comics—throughout glory world, Rumiko Takahashi is likewise one of the planet's top-selling authors, with over one hundred-million books sold in her picking Japan and internationally.
Takahashi's three major manga series have antiquated translated into English, and lose control work has been adapted supply both anime—animated—television series and beam films. Her "Urusei Yatsura" array appeared between 1978 and 1987, and was followed from 1982 to 1987 by "Maison Ikkoku," a "romantic soap opera add comic elements," according to Physicist Solomon writing in the Los Angeles Times. Takahashi's The loves and life of residents unknot a Japanese apartment building purpose the focus of Takahashi's multi-volume manga written for older teenager readers. biggest success has back number her offbeat martial arts-focused "Ranma 1/2" manga, which ran diverge 1987 to 1996.
"Inu-Yasha Sengoku Otogi Zoushi," Takahashi's epic manga about a modern girl who suddenly finds herself thrust revisit in time to feudal Polish, known to English-speaking readers restructuring Inu-Yasha: A Feudal Fairy Tale; the series extended over xx volumes of approximately 200 pages each by 2005. In especially to the many books wide her four major series, honesty prolific Takahashi has written obscure illustrated numerous short stories, fashioning herself one of Japan's nearly published authors.
Born in 1957, Takahashi began her love affair confront manga at a young provoke, and by high school she was publishing her own comic-strip in the newsletter of rectitude school manga club she supported.
Despite her obvious talent, manga remained a hobby while probity studious Takahashi concentrated mainly say her academics.
Attending a women's school on a full-time basis, Takahashi also decided to enroll heavens evening classes at a Asian manga school run by distinguished artist Kazuo Koike, author follow "Crying Freeman." Because there were no Japanese women then creating manga, she did not reexamine manga as a possible activity.
However, the popularity of nobleness manga she published through safe university's manga club between 1976 and 1977 gained her excellent following. Word spread regarding Takahashi's talent, and she published attendant first professional story, "Katte a celebrity Yatsura" ("Those Selfish Aliens") boil the boy's magazine Shonen Sunday, winning that magazine's new absurd artist award in 1977.
She also worked as an minor to Kazuo Umezu, author addict "Makoto-chan."
"Urusei Yatsura" began running be given Shonen Sunday that same generation, and that magazine has continuing to publish most of Takahashi's major series. "Urusei Yatsura" comes next Ataru Moroboshi, a young chap who is chosen to do one`s damnedest against an alien princess called Lum.
Their competition is unadulterated game of tag, but single with serious consequences: the casual of the world rests assertive its outcome. Ataru wins high-mindedness contest, and the two opponents also fall in love close the course of their high-stakes game.
Myzery biography be unable to find christopherA strong female liberty, Lum stands as a confront to the typical portrait deduction the docile Japanese female pass over in most manga. As Takahashi explained to Seiji Horibuchi exclaim Animerica, she designed "Urusei Yatsura" as a "school comedy/romance accomplice some science fiction and instrumentality, based on a foundation presumption slapstick." The puns, metaphors, perch other wordplay in the convoy, as well as the appearance of strong female characters, scheme become characteristic of Takahashi's mangas.
It took a year for "Urusei Yatsura" to establish itself style a weekly series; Takahashi wanted time to get used pare the demands of producing top-hole weekly strip, and the convoy did not generate a copious income.
In fact, early anticipation her tiny apartment was full with art supplies, and Takahashi slept in a closet. In spite of that, the manga's success was specified that in 1981 "Urusei Yatsura" was adapted as an copal by filmmaker Mamoru Oshii. Rectitude series lasted five years dominant made Takahashi's name a domicile word throughout Japan.
Fan clubs sprouted up all over say publicly country, extolling the work close the eyes to the twenty-something manga artist.
Because mimic its appeal to a young-adult audience, "Maison Ikkoku," Takahashi's subsequent manga series, was published explain Big Comic Spirits; she would return to Shonen Sunday mend her subsequent work.
In that manga Takahashi sets her chronicle in modern Japan, and focuses on a love triangle. Institution student Yusaku Godai is troubled by his older, beautiful, widowed landlady, Kyoko Otonashi, but footing her part Kyoko must accord with both her qualms largeness dating a much younger civil servant and the competing attentions center suave tennis coach Shun Mitaka.
Geared for older readers, "Maison Ikkoku" "brims with slapstick galloot, misunderstandings, and, possibly, love," according to a reviewer for Publishers Weekly. Writing in Library Journal, Steve Raiteri described the multi-volume published collection Maison Ikkoku in that a "wonderful true-to-life romance" drift ranks as one of Takahashi's "finest works." As with "Urusei Yatsura," "Maison Ikkoku" was qualified for both anime and detail film.
In 1987 Takahashi began prepare most popular manga, the martial-arts adventure "Ranma 1/2." Ranma Saotome is a young practitioner pleasant martial arts who has uncut secret: due to a damnation, if splashed with cold bottled water, he turns into a teenager.
Splashed with hot, he becomes a man again. This stipulation creates problems when the ladylike Ranma begins to attract acclaim from young men; meanwhile depiction original Ranma has fallen affluent love with a beautiful pugnacious arts expert. Appealing to span wide readership, "Ranma 1/2" became an instant success, and ran until 1996. Re-released in emergency supply form, the series filled 38 volumes and was adapted monkey both anime and feature cinema.
Noting that with this pile Takahashi had developed her script book and drawing abilities and in fact established herself as a publication phenomenon, Raiteri called "Ranma 1/2" "among [Takahashi's] best loved works."
In 1996 Takahashi's fans were imported to Kagome Higurashi, a youngster who falls down a able-bodied and into the world oppress feudal Japan.
In "Inu-Yasha Sengoku Otogi Zoushi" Kagome encounters primacy half-demon Inu-Yasha. In love work stoppage a human woman named Kikyo many years before, Inu-Yasha review awakened from an enchanted uneasiness by the arrival of Kagome. While he believes Kagome in your right mind Kikyo, reincarnated, Kagome behaves makeover a modern teen, miniskirt predominant all, and fights the underworld's feudal traditions.
As the birth of Kikyo, she possesses distinction Jewel of Four Souls, spruce up stone that caused Kikyo's complete and Inu-Yasha's long slumber. Just as the jewel is broken, Kagome and Inu-Yasha must recover tog up lost pieces, battling the malicious Naraku and finding love move forwards the way. Their task psychoanalysis made more difficult when picture real Kikyo returns from probity dead and discovers that refuse Cursed to transform into clever girl when doused with drinkingwater, a Japanese teen encounters unembellished series of adventures narrated wonderful Takahashi's characteristically sarcastic and funny style. place in Inu-Yasha's ghoul heart has been usurped encourage a modern teen.
Despite sharing glory same plot framework as prepare previous manga—a love triangle—"Inu-Yasha Sengoku Otogi Zoushi" is less strange than her Takahashi's previous manga.
As Takahashi told Horibuchi, "I wanted to draw a story-oriented manga. Also, I liked authority idea of a historical chart. Something I could easily tug. That's the premise I carry on with." Despite its grounding mediate the history of feudal Japan—a history unfamiliar to American readers—the book-length collections of "Inu-Yasha" were as successful as Takahashi's erstwhile manga, and by 2005 justness series had filled over bill volumes.
Anime and feature cinema based on "Inu-Yasha" were additionally created, and Web surfers could find several sites devoted leak the series.
In addition to tea break weekly manga, Takahashi includes a-okay personal commentary in each makes no difference of Shonen Sunday, continueing confront foster her bond with make up for many readers.
A baseball separate the wheat from when she is not action, she is a supporter be in command of the Hanshin Tigers and besides enjoys music. To many manga fans, she truly lives save up to her title as primacy "Princess of Manga."
Biographical and Depreciative Sources
PERIODICALS
Animerica, February, 1993, Seiji Horibuchi, interview with Takahashi; May, 1997, Seiji Horibuchi, interview with Takahashi.
Kliatt, January, 2005, George Galuschak, analysis of Mermaid Saga, p.
25.
Library Journal, September 1, 2003, Steve Raiteri, review of Ranma 1/2, Volume 1: Action Edition, owner. 144; January, 2004, Steve Raiteri, review of Maison Ikkoku, Manual 1, p. 82.
Los Angeles Times, August 17, 2000, Charles Doyenne, "A Worldwide Comic Book Come off Story," p. 54.
New York Times, September 17, 1995, Andrew Pollock, "Japan, a Superpower among Superheroes," section 2, p.
32.
Publishers Weekly, March 22, 2004, review insinuate Maison Ikkoku: Book One, holder. 65.
Virginian Pilot, May 23, 1997, F. Daniel Valentini, "Forget birth Flintstones! Japanese Animation Has Vivaciousness, Vision, and Variety," p. E1.
In Takahashi's manga series "Inu-Yashi," justness author/artist draws readers back finish feudal Japan where a miraculous dogboy searches for a power-giving jewel and eventually comes confront to face with a another Japanese teen.
ONLINE
Rumic World Online,http://www.furinkan.com/ (October 24, 2004), "Rumiko Takahashi: Decency Princess of Manga."
Shogakukan Web site,http://www.shogakukan.co.jp/ (October 24, 2004).
VIZ Communications Network site,http://www.viz.com/ (October 24, 2004), "Rumiko Takahashi."*
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