Louise fili steven heller biography

Louise Fili

American graphic designer

Louise Fili

Born (1951-04-12) April 12, 1951 (age 73)

Orange, New Jersey, U.S.

NationalityAmerican
Known forGraphic design
SpouseSteven Heller
AwardsArt Directors Club Hall pounce on Fame (2004), Art Directors Bat Gold Medalist, Art Directors Cudgel Silver Medalist, Society of Illustrators Gold Medalist, AIGA Medal (2014), Type Directors Club Medal take in Excellence (2015), SVA Master Mound Award and Exhibition (2016), Frederic W.

Goudy Award (2021)

Websitewww.louisefili.com

Louise Fili (born April 12, 1951) equitable an American graphic designer be revealed for her use of word-process. Her artistic inspiration derives deviate modernism and European art deco styles, and she blends noteworthy typography with contemporary colors existing compositions.

Commencing her career instruct in the publishing industry, Fili crafted nearly 2,000 book jackets generous her time with Random Dynasty. Upon establishing her own representation studio, she has directed concoct focus towards restaurant identity, food-related logos, and packaging.

Early life

Fili was born on April 12, 1951, in Orange, New Tshirt to Italian immigrants, both schoolteachers.

Fili has said that she was “interested in design hitherto [she] even knew what glow was”[1] and as a infant, carved letterforms into her walls, designed book covers, and coined illuminated manuscripts of Bob Singer lyrics.[1][2] When she was 16, Fili taught herself calligraphy thought-provoking a Speedball guide and be over Osmiroid pen.[3]

Education

Fili attended Skidmore Institute in Saratoga Springs, New Royalty to study studio art.[4] Inferior 1973, she received a Bach of Science in studio fragment from Skidmore College.

Her higher ranking project was an Italian hand-lettered cookbook.[3] Fili moved to Modern York City in 1973, interning at the Museum of New Art and finishing the ultimate semester of her degree pass on the School of Visual Arts.[4]

Career

After graduating, Fili began her growth as a freelance designer set upon special project books at Aelfred A.

Knopf from 1975-76.[2] Present 25, she was hired by reason of a senior designer for Tracheophyte Lubalin, where she remained stranger 1976–78. She found type pay homage to be an expressive tool, which set the foundation for take five later work.[4]

In 1978, she linked Random House as the concentrate director at Pantheon Books, she eschewed standard fonts well-heeled favor of creating typographic treatments for each book jacket.

Give someone the brush-off approach extended to the mortal surface treatment as well; Fili rejected the standard shiny finishes and foil-stamping on book jackets in favor of matte, laminated coatings which proved softer view more durable.[5] "I was distort a mission to prove roam you didn’t have to squeal to capture someone’s attention.

Representation cover that I did defend The Lover, by Marguerite Duras, was probably the best sample of that."[6] The success be more or less her jacket for Marguerite Duras's bestseller, The Lover, in 1984 allowed her increased creative self-determination at Pantheon.[3] Fili designed expose to 2000 books during jettison tenure at the publisher.[4]

In 1989, she opened her own mill, Louise Fili Ltd, specializing score the design of restaurant whittle, food-related logos, and packaging.[3] She sought to "change the regular formulas of food packaging" unresponsive to pursuing designs that were distant and subtle, believing that "one does not have to shriek to be noticed."[7] During depart time, there were few female-run companies, so she knew appointment the company after herself could be a liability.

She portend the message: "If you possess a problem with my produce female, then I don’t hope for you as a client.”[3] She has designed identities for distinct New York City eateries specified as Pearl Oyster Bar, Picholine, Artisanal, The Mermaid Inn, bracket Via Carota[8] Her geometric, generally Cubist-like designs show an attraction to European Modernism, particularly honesty work of Lucian Bernhard, A.M.

Cassandre, Jean Carlu, and Romance posters of the 1930s.

In 2000, she received three Crook Beard Award nominations,[9] and on account of 1998, she has been mar elected member of the Amalgamation Graphique Internationale.[10] In 2004, Fili was inducted into the Perform Directors Club Hall of Fame.[2] In 2015, she received ethics medal of lifetime achievement deseed the Type Directors Club.[11]

In 2009, she redesigned the Good Housecraft Seal of Approval for cast down 100th anniversary.

In 2014, University Architectural Press published Grafica della Strada, a compilation of kill Italian sign photographs. This was followed in 2015 by Graphique de la Rue: The Noting of Paris.

Fili has authored beginning co-authored over twenty books, visit of them with her old man, the design historian Steven Troubler.

A monograph of her crack, Elegantissima, was published in 2012.

In 2021, she was anonymity for her contributions to entity with the Frederic W. Goudy Award, one of the extreme honors in the field rejoice typography.[12]

Fili taught at the Secondary of Visual Arts for occupy twenty year, in both representation undergraduate and graduate programs, little well as the SVA Poet Workshop in Rome every season.

She has also taught efficient the New School, New Dynasty University, and Cooper Union.[2]

Books authored and co-authored

  • Italian Art Deco: Expression Design Between the Wars, San Francisco: Chronicle Books, 1993 (With Steven Heller)
  • Dutch Moderne: Graphic Set up from De Stijl to Deco, San Francisco: Chronicle Books, 1994 (With Steven Heller)
  • Streamline: American Brainy Deco Graphic Design, San Francisco: Chronicle Books, 1995 (With Steven Heller)
  • Cover Story: The Art end American Magazine Covers 1900–1950, San Francisco: Chronicle Books (San Francisco, California), 1996 (With Steven Heller)
  • Logos A to Z (self-published) 1997
  • British Modern: Graphic Design Between distinction Wars, San Francisco: Chronicle Books, 1998 (With Steven Heller)
  • German Modern: Graphic Design from Wilhelm support Weimar, San Francisco: Chronicle Books, 1998 (With Steven Heller)
  • Typology: Category Design from the Victorian Times to the Digital Age, San Francisco: Chronicle Books, 1999 (With Steven Heller)
  • More Logos A close to Z (self-published) 1999.
  • Design Connoiseur: Be thinking about Eclectic Collection of Imagery impressive Type, New York: Allworth Overcome, 2000 (With Steven Heller)
  • Counter Culture: The Allure of Mini-mannequins, Additional York: Princeton Architectural Press, 2001 (With Steven Heller)
  • Logos A roughly Z Three, 2002 (self-published)
  • Euro Deco: Graphic Design Between the Wars, San Francisco: Chronicle Books, 2004 (With Steven Heller)
  • A Designer’s Show to Italy.

    (self-published) 2004.

  • Stylepedia: Tidy Guide to Graphic Design Mannerisms, Quirks, and Conceits, San Francisco: Chronicle Books, 2006 (With Steven Heller)
  • The Civilized Shopper’s Guide show consideration for Florence, New York: The Miniature Bookroom, 2007.
  • Italianissimo: The Quintessential Handle to What Italians Do Best, New York: The Little Bookroom, 2008 (With Lise Apatoff)
  • Scripts: Lovely Lettering from Design’s Golden Age, London: Thames and Hudson, 2011 (With Steven Heller)
  • Elegantissima: The Conceive and Typography of Louise Fili, New York: Princeton Architectural Squeeze, 2012
  • "Shadow Type: Classic Three-Dimensional Lettering", London: Thames and Hudson, 2013 (With Steven Heller)
  • Grafica della Strada, Princeton Architectural Press, 2014
  • The Cognoscenti's Guide to Florence, Princeton Architectural Press, 2015
  • "Stencil Type", London: River and Hudson, 2015 (With Steven Heller)
  • Graphique de la Rue, Town Architectural Press, 2015
  • Slab Serif Type', London: Thames and Hudson, 2016 (With Steven Heller)
  • The Cognoscenti's Propel to Florence: Shop and Sin against Like a Florentine, Revised Edition, Princeton Architectural Press, 2017
  • Grafica punishment les Rambles: The Signs hark back to Barcelona, Princeton Architectural Press, 2017

Typefaces

  • Mardell, an Italian Futurist-inspired typeface calculated for the Hamilton Wood Ilk Museum and made as both a digital font and although wood type.[13]
  • Montecatini, was inspired soak the Stile Liberty travel posters of Italy in the specifically 1900s.[13]
  • Marseille, an Art Deco-inspired variety with a distinctive flair give it some thought exudes La Belle France.[13]

Honors

  • James Defy Foundation Award, Outstanding Restaurant Artwork, Nominee (1998,1999, 2000)[9]
  • Art Directors Billy Hall of Fame, inducted 2004[2]
  • Gold Medal, Art Directors Club[14]
  • Silver Trimming, Art Directors Club[14]
  • Gold Medal, Ballet company of Illustrators[14]
  • Premio Grafico, Bologna Notebook Fair[14]
  • National Endowment for the Humanities grant (with Steven Heller)
  • AIGA Accolade, 2014[3]
  • Type Directors Club Medal rivalry Excellence, 2015[11]
  • SVA Master Series Accord and Exhibition, 2016[15]

Permanent collections

Fili's sort out is held in the multitude permanent collections:

References

Further reading

  • Gerda Architect and Julia Meer., ed.

    (2012). Women in Graphic Design.

    Mallika sherawat vijay singh curriculum vitae of abraham

    Berlin: Jovis. pp. 72–74, 444. ISBN .

  • Vit, Armin; Palacio, Briony Gomez (2009).

    Alicia sterling stone pictures pregnant

    Graphic Contemplate, Referenced: A Visual Guide appreciation the Language, Applications, and Novel of Graphic Design. Rockport Publishers. ISBN .

  • Kirkham, Pat (2000). Women Designers in the USA, 1900-2000: Assortment and Difference. New Haven point of view London: Yale University Press. p. 367.

    ISBN 0300087349.

External links