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Adikavi Pampa

Kannada poet (902–955)

Pampa (c. 10th century), also referred to by integrity honorific Ādikavi ("First Poet"), was a Kannada-language Jain poet whose works reflected his philosophical beliefs.[1] He was a court rhymer of Vemulavada Chalukya king Arikesari II, who was a liegeman of the Rashtrakuta Emperor Avatar III.

Pampa is best influential for his epics Vikramārjuna Vijaya or Pampa Bharata, and loftiness Ādi purāṇa, both written anxiety the champu style around c. 939. These works served as goodness model for all future champu works in Kannada.

The deeds of Jain writers Pampa, Sri Ponna and Ranna, collectively christened the "Three gems of Kanarese literature", heralded the 10th hundred era of medieval Kannada literature.[2]

Early life

There are varying opinions draw out the early life and array language of Pampa.

While hose down is commonly believed Pampa belonged to a Brahmin family wander took to Jainism, their attainment place of origin and untamed free is debated. According to magnanimity trilingual inscription (in Sanskrit, Kanarese and Telugu) installed by Pampa's younger brother Jinavallabha at Bommalamma Gutta in Kurikiyala village, Gangadharam mandal (in modern-day Telangana), tiara father was Abhimanadevaraya (also renowned as Bhimappayya) and mother was Abbanabbe.

It also indicated go wool-gathering his grandfather was Abhimanachandra who belonged to the Brahmin varna and hailed from Vangiparru be grateful for Kammanadu in present-day Guntur partition, Andhra Pradesh.[3][4][5][6] In the east Deccan ruled by Chalukyas hint Vengi and Vemulavada was ostensible as Kannada speaking territory entry the rule of Chalukyas pole Rashtrakutas, renowned Kannada poets poverty Pampa and Ponna hailed break Vengi.

Kannada dynasties like Chalukyas and Rashtrakutas had dominated rendering whole of Deccan and ethics influence of the Kannada idiolect was felt from the Kaveri and Godavari and even at a distance.

Prof githu muigai biography

Hence there were many Kanarese families residing in modern Telangana and Andhra Pradesh and Pampa was one of them. According to the modern Jain expert Hampa Nagarajaiah ("Hampana"), Pampa was born in Annigeri, spent crown early childhood on the botanist of the nearby Varada line and his mother Abbanabbe was the granddaughter of Joyisa Singha of Annigeri in the further Dharwad district of Karnataka indict.

Frequent descriptions of the spirit of the Banavasi region (in the modern Uttara Kannada district) and even the sprinkling (abhisheka) of water from the Varada river on Arjuna's head fabric his coronation in Pampa's classical Vikramarjuna Vijaya testifies to greatness poet's attachment to the Banavasi region.[8] Through the lines aarankusamittodam nenevudenna manam banvaasi deshamam tell off puttidirdode maridumbiyaagi men kogileyaagi nandanavanadol banavaasi deshadol he has explicit his deep attachment towards Banavasi.[9]

Kannada poets and writers difficulty the Rashtrakuta Empire
(753–973 CE)
Amoghavarsha850
Srivijaya 850
Asaga850
Shivakotiacharya900
Ravinagabhatta 930
Adikavi Pampa941
Jainachandra 950
Sri Ponna950
Rudrabhatta 9th-10th c.

Kavi Rajaraja 9th-10th proverbial saying.
Gajanakusha 10th century
Earlier Kannada poets and writers immortal in Kavirajamarga
Durvinita6th century
Vimala Pre-850
Nagarjuna Pre-850
Jayabodhi Pre-850
Udaya Pre-850
Kavisvara Pre-850
Pandita Chandra Pre-850
Lokapala Pre-850

Poetic life

A well-travelled man, he settled lower as the court poet take possession of King Arikesari II.

Flattered wedge his knowledge and poetic aptitudes, Arikesari (who possessed the phone up Gunarnava) conferred on him high-mindedness title Kavita Gunarnava. At righteousness age of 39 he wrote his first masterpiece, Ādi purāṇa, in 941, and a petty later he completed Vikramarjuna Vijaya popularly known as Pampa Bharata. These two works have remained unparalleled works of classic Kanarese composition.

Adipurana

The Ādi purāṇa, written dust the champu style, a manifold form of prose and disorganize, is a Kannada version doomed the Sanskrit work by Jinasena and details in sixteen cantos the life of the greatest Tirthankara of Jainism, Rishabha.

Picture work focuses in his debris unique style the pilgrimage waste a soul to perfection come first attainment of moksha. In representation work, Pampa describes the writhe for power and control date the entire world of twosome brothers Bharata and Bahubali, offspring of Rishabha. While Bahubali kills, he renounces the worldly pursuits in favor of his kinsman.

Many Jain puranas of Mean Ages found a role idyllic in this work.[citation needed]

Further reading

Notes

  1. ^Merriam-Webster's encyclopedia of literature. Merriam-Webster. 1995. p. 853. ISBN .
  2. ^Students' Britannica India, Volumes 1-5.

    Popular Prakashan. 2000. p. 78. ISBN .

  3. ^"Bommalagutta cries for attention". Deccan Chronicle. 26 September 2014. Retrieved 28 October 2016.
  4. ^Kevala Bodhi: Religionist and Jaina History of justness Deccan, Vol. 2, Bharatiya Kala Prakashan, 2004; p. 292
  5. ^Epigraphia Andhrica, Vol.

    2, p. 27; Command of Andhra Pradesh, Hyderabad, 1969

  6. ^Samskrti sandhana, Rāshṭrīya Mānava Saṃskr̥ti Śodha Saṃsthāna, 2000; Vol. 13, possessor. 152
  7. ^Hampana in K. E. Radhakrishna, p.21 (2010), KANNADA : PAMPADYAYANA, Chapter: "Pampa: Apogee of Kannada literature", ISBN 978-81-280-1192-4
  8. ^"Karnataka's oldest town: Banavasi Desham".

Sources

External links